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Luca Signorelli The Virgin and Child among Angels and Saints mk170
Oil on wood
265x193cm
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Luca Signorelli The Circumcision mk170
circa 1490-1495
Oil on wood
258.5x180cm
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Luca Signorelli The Damned Cast into Hell mk176
1499-1504
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Luca Signorelli Sermon and Deeds of the Antichrist 1499-1502 Fresco Chapel of San Brizio
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Luca Signorelli Resurrection of the Flesh 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli The Elect 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli The Elect Being Called to Paradise and The Damned Being Plunged into Hell 1499-1502
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Luca Signorelli The Elect Being Called to Paradise 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli The Damned Being Plunged into Hell 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli Dante Alighieri 1499-1502
Fresco Chapel of San Brizio, Duomo
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Luca Signorelli Virgil 1499-1502
Fresco Chapel of San Brizio, Duomo
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Luca Signorelli Empedocles 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli Doctors of the Church 1499-1502
Fresco Chapel of San Brizio, Duomo
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Luca Signorelli The Virgins 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli Lamentation over the Dead Christ with Sts Parenzo and Faustino 1499-1502
Fresco Chapel of San Brizio
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Luca Signorelli Madonna and Child with St Joseph and Another Saint 1490-92 Panel,
diameter: 99 cm
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Luca Signorelli The Scourging of Christ c. 1480 Tempera on roundheaded panel, 84 x 57 cm
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Luca Signorelli The Trinity, the Virgin and Two Saints 1510 Tempera on wood, 272 x 180 cm
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Luca Signorelli the last judgment mk247
1504,fresco,duomo,orvieto,umbria,ltaly
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Luca Signorelli Crucifixion Date c. 1504-1505
Medium tempera and Oil on panel
Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in)
cjr
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Luca Signorelli
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Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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